MOVI ES

  
Lubitsch was the director the Hollywood Europeans most admired, and all tried to emulate what was called the "Lubitsch touch, " his gracefully sophisticated way of making a point visually with a minimum of dialogue. ("How Would Lubitsch Do It?" was a sign that [Cameron]
Crowe found still hanging above [Billy] Wilder's office door when he began to interview him.) "Meeting cute" was the most enduring cliche of thirties comedies, and the scene in "Bluebeard's Eighth Wife" where Gary Cooper meets Claudette Colbert is famously so: at a pajama counter, Cooper wants the top and Colbert the bottom, so they divide a pair. [Charles] Brackett and Wilder's next script for Lubitsch, "Ninotchka" (in which they shared the credit with Walter Reisch}, garnered them an Oscar nomination. Starring Garbo and Melvyn Douglas, it is one of the great American movies, a comedy about Communism, and it provided Wilder with a classic anecdote: after a sneak screening in Long Beach, Lubitsch showed his writers a preview card that said, "Funniest picture I ever saw. So funny that I peed
in my girlfriend's hand."

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"Tell me about yourself, Mr. Zinneman, " a youthful studio executive asked Fred Zinneman when the director came to pitch a movie, and Zinneman, who worked with Wilder in Berlin in 1930 and had won Best Director Oscars for "From Here to Eternity" and " A Man for All Seasons," replied, with elaborate Viennese courtesy, "You first."

-- John Gregory Dunne, reviewing Cameron Crowe's Conversations with Wilder in the New Yorker