OLD PEOPLE

  
I don't underestimate it. I know it takes courage. But let us suppose for a moment that someone had it, this courage de luxe to follow them, in order to know for ever (for who could forget it again or confuse it with anything else?) where they creep off to afterward and what they do with the rest of the long day and whether they sleep at night. That especially should be ascertained: whether they sleep. But it will take more than courage. For they don't come and go like other people, whom it would be child's play to follow. They are here and then gone, put down and snatched away like toy soldiers. The places where they can be found are somewhat out-of-the-way, but by no means hidden. The bushes recede, the path curves slightly around the lawn: there they are, with a large transparent space around them, as if they were standing under a glass dome. You might think they were pausing, absorbed in their thoughts, these inconspicuous men, with such small, in every way unassuming bodies. But you are wrong. Do you see the left hand, how it is grasping for something in the slanted pocket of the old coat? how it finds it and takes it out and holds the small object in the air, awkwardly, attracting attention? In less than a minute, two or three birds appear, sparrows, which come hopping up inquisitively. And if the man succeeds in conforming to their very exact idea of immobility, there is no reason why they shouldn't come even closer. Finally one of them flies up, and flutters nervously for a while at the level of that hand, which is holding out God knows what crumbs of used-up bread in its unpretentious, explicitly renunciatory fingers. And the more people gather around him -- at a suitable distance, of course -- the less he has in common with them. He stands there like a candle that is almost consumed and burns with the small remnant of its wick and is all warm with it and has never moved. And all those small, foolish birds can't understand how he attracts, how he tempts them. If there were no onlookers and he were allowed to stand there long enough, I'm certain that an angel would suddenly appear and, overcoming his disgust, would eat the stale, sweetish breadcrumbs from that stunted hand. But now, as always, people keep that from happening. They make sure that only birds come; they find this quite sufficient and assert that he expects nothing else. What else could it expect, this old, weather-beaten doll, stuck into the ground at a slight angle, like a painted figurehead in an old sea-captain's garden? Does it stand like that because it too had once been placed somewhere on the forward tip of its life, at the point where motion is greatest? Is it now so washed out because it was once so bright? Will you go ask it?

Only don't ask the women anything when you see them feeding the birds. You could even follow them; they do it just in passing; it would be easy. But leave them alone. They don't know how it happens. All at once they have a whole purseful of bread, and they hold out large pieces from under their flimsy shawls, pieces that are a bit chewed and soggy. It does them good to think that their saliva is getting out into the world a little, that the small birds will fly off with the taste of it in their mouths, even though a moment later they naturally forget it again.

-- Rainer Maria Rilke